Networking and Telecommunication Management essays

Networking and Telecommunication Management essays Networking and Telecommunication Management The AT. The above incidents are described in Bruce Sterlings book The Hacker Crackdown, Law and Disorder on the Electronic Frontier, copyrighted in 1992. Bruce Sterling authored this book which seeks to explain the people of cyberspace. Bruce Sterling digs into the bizarre world of electronic communications. The world of electronic communication or cyberspace has no physical location, because it exists only in the network. Cyberspace is not normal space; it is the space on your computers. Mr. Sterling writes about electronic communication in the early 90s between computers and telephone lines. The space that Mr. Sterling speaks of is about 130 years old. The current cyberspace is where a telephone conversation occurs. You may think you are conversing into a phone line, the device in your hand against your ear. No, not really, but its the place between the phones, yes, the indefinite space out there. Sterling attempts to inform, compel and appall his readers, the hackers, law officers and civil libertarians. In the 1990, a nationwide legal battle took place against computer hackers, yes criminal charges all across the United States. The Secret Service, telephone company security and state and local law enforcement agencies across the country joined to bring down the U. S. underground electronic coup. While the underground and legal computer community fought strongly against the same agencies who threaten their electronic civil liberties. Mr....

Biography of Tamerlane, 14th Conqueror of Asia

Biography of Tamerlane, 14th Conqueror of Asia Tamerlane (April 8, 1336–February 18, 1405) was the ferocious and terrifying founder of the Timurid empire of Central Asia, eventually ruling much of Europe and Asia. Throughout history, few names have inspired such terror as his. Tamerlane was not the conquerors actual name, though. More properly, he is known as Timur, from the Turkic word for iron. Fast Facts: Tamerlane or Timur Known For: Founder of the Timurid Empire (1370–1405), ruled from Russia to India, and from the Mediterranean Sea to Mongolia.Birth: April 8, 1336 in Kesh, Transoxiana (present-day Uzbekistan)Parents: Taraghai Bahdur and Tegina BegimDied: February 18, 1405 at Otrar, in KazakhstanSpouse(s): Aljai Turkanaga (m. about 1356, d. 1370), Saray Mulk (m. 1370), dozens of other wives and concubinesChildren: Timur had dozens of children, those who ruled his empire after his death include Pir Muhammad Jahangir (1374–1407, ruled 1405–1407), Shahrukh Mirza (1377–1447, r. 1407–1447), and Ulegh Beg (1393–1449, r. 1447–1449). Amir Timur is remembered as a vicious conqueror, who razed ancient cities to the ground and put entire populations to the sword. On the other hand, he is also known as a great patron of the arts, literature, and architecture. One of his signature achievements is his capital in the city of Samarkand, located in modern-day Uzbekistan. A complicated man, Timur continues to fascinate us some six centuries after his death. Early Life Timur was born on April 8, 1336, near the city of Kesh (now called Shahrisabz), about 50 miles south of the oasis of Samarkand, in Transoxiana.  The childs father Taraghai Bahdur was the chief of the Barlas tribe; Timurs mother was Tegina Begim. The Barlas were of mixed Mongolian and Turkic ancestry, descended from the hordes of Genghis Khan and the earlier inhabitants of Transoxiana. Unlike their nomadic ancestors, the Barlas were settled agriculturalists and traders. Ahmad ibn Muhammad ibn Arabshahs 14th-century biography, Tamerlane or Timur: The Great Amir, states that Timur was descended from Genghis Khan on his mothers side; it is not entirely clear whether that is true. Many of the details of Tamerlanes early life are from a spate of manuscripts, dozens of heroic tales written from the early 18th through 20th centuries, and stored in archives across Central Asia, Russia, and Europe. In his book The Legendary Biographies of Tamerlane, historian Ron Sela has argued that they were based on ancient manuscripts but serve as a manifest against the corruption of rulers and officials, a call to respect Islamic traditions, and an attempt to situate Central Asia within a greater geopolitical and religious sphere.   The tales are full of adventures and mysterious happenings and prophecies. According to those tales, Timur raised in the city of Bukhara, where he met and married his first wife Aljai Turkanaga. She died about 1370, after which he married several of the daughters of Amir Husayn Qara’unas, a rival leader, including Saray Mulk.  Timur eventually collected dozens of women as wives and concubines as he conquered their fathers or erstwhile husbands lands. Disputed Causes of Timurs Lameness The European versions of Timurs name- Tamerlane or Tamberlane- are based on the Turkic nickname Timur-i-leng, meaning Timur the Lame.  Timurs body was exhumed by a Russian team led by archaeologist Mikhail Gerasimov in 1941, and they found evidence of two healed wounds on Timurs right leg. His right hand was also missing two fingers. The anti-Timurid author Arabshah says that Timur was shot with an arrow while stealing sheep. More likely, he was wounded in 1363 or 1364 while fighting as a mercenary for Sistan (southeastern Persia) as stated by contemporary chroniclers Ruy Clavijo and Sharaf al-Din Ali Yazdi. Transoxianas Political Situation During Timurs youth, Transoxiana was riven by conflict between the local nomadic clans and the sedentary Chagatay Mongol khans who ruled them. The Chagatay had abandoned the mobile ways of Genghis Khan and their other ancestors  and taxed the people heavily in order to support their urban lifestyle. Naturally, this taxation angered their citizens. In 1347, a local named Kazgan seized power from the Chagatai ruler Borolday. Kazgan would rule until his assassination in 1358. After Kazgans death, various warlords and religious leaders vied for power. Tughluk Timur, a Mongol warlord, emerged victorious in 1360. Young Timur Gains and Loses Power Timurs uncle Hajji Beg led the Barlas at this time  but refused to submit to Tughluk Timur. The Hajji fled, and the new Mongol ruler decided to install the seemingly more pliable young Timur to rule in his stead. In fact, Timur was already plotting against the Mongols. He formed an alliance with the grandson of Kazgan, Amir Hussein, and married Husseins sister Aljai Turkanaga. The Mongols soon caught on; Timur and Hussein were dethroned and forced to turn to banditry in order to survive. In 1362, the legend says, Timurs following was reduced to two: Aljai and one other. They were even imprisoned in Persia for two months. Timurs Conquests Begin Timurs bravery and tactical skill made him a successful mercenary soldier in Persia, and he soon collected a large following. In 1364, Timur and Hussein banded together again and defeated Ilyas Khoja, the son of Tughluk Timur. By 1366, the two warlords controlled Transoxiana. Timurs first wife died in 1370, freeing him to attack his erstwhile ally Hussein. Hussein was besieged and killed at Balkh, and Timur declared himself the sovereign of the whole region. Timur was not directly descended from Genghis Khan on his fathers side, so he ruled as an amir  (from the Arabic word for prince), rather than as khan.  Over the next decade, Timur seized the rest of Central Asia as well. Timurs Empire Expands With Central Asia in hand, Timur invaded Russia in 1380. He helped the Mongol Khan Toktamysh retake control and also defeated the Lithuanians in battle. Timur captured Herat (now in Afghanistan) in 1383, the opening salvo against Persia. By 1385, all of Persia was his.   With invasions in 1391 and 1395, Timur fought against his former protege in Russia, Toktamysh. The Timurid army captured Moscow in 1395.  While Timur was busy in the north, Persia revolted. He responded by leveling entire cities  and using the citizens skulls to build grisly towers and pyramids. By 1396, Timur had also conquered Iraq, Azerbaijan, Armenia, Mesopotamia, and Georgia. Conquest of India, Syria, and Turkey Timurs army of 90,000 crossed the Indus River in September  1398 and set upon India. The country had fallen to pieces after the death of Sultan Firuz Shah Tughluq (r. 1351–1388) of the Delhi Sultanate, and by this time Bengal, Kashmir, and the Deccan each had separate rulers. The Turkic/Mongol invaders left carnage along their path; Delhis army was destroyed in December and the city was ruined. Timur seized tons of treasure and 90 war elephants  and took them back to Samarkand. Timur looked west in 1399, retaking Azerbaijan and conquering Syria. Baghdad was destroyed in 1401 and 20,000 of its people were slaughtered. In July 1402, Timur captured early Ottoman Turkey and received the submission of Egypt. Final Campaign and Death The rulers of Europe were glad that the Ottoman Turk sultan Bayazid had been defeated, but they trembled at the idea that Tamerlane was at their doorstep. The rulers of Spain, France, and other powers sent congratulatory embassies to Timur, hoping to stave off an attack. Timur had bigger goals, though. He decided in 1404 that he would conquer Ming China. (The ethnic-Han Ming Dynasty had overthrown his cousins, the Yuan, in 1368.) Unfortunately for him, however, the Timurid army set out in December during an unusually cold winter. Men and horses died of exposure, and the 68-year-old Timur fell ill. He died on February 17, 1405 at Otrar, in Kazakhstan. Legacy Timur started life as the son of a minor chieftain, much like his putative ancestor Genghis Khan. Through sheer intelligence, military skill, and force of personality, Timur was able to conquer an empire stretching from Russia to India and from the Mediterranean Sea to Mongolia. Unlike Genghis Khan, however, Timur conquered not to open trade routes and protect his flanks, but to loot and pillage. The Timurid Empire did not long survive its founder  because he rarely bothered to put any governmental structure in place after he destroyed the existing order. While Timur professed to be a good Muslim, he obviously felt no compunction about destroying the jewel-cities of Islam and slaughtering their inhabitants. Damascus, Khiva, Baghdad...these ancient capitals of Islamic learning never really recovered from Timurs attentions. His intent seems to have been to make his capital at Samarkand the first city in the Islamic world. Contemporary sources say that Timurs forces killed about 19 million people during their conquests. That number is probably exaggerated, but Timur does seem to have enjoyed massacre for its own sake. Timurs Descendants Despite a death-bed warning from the conqueror, his dozens of sons and grandsons immediately began to fight over the throne when he passed away. The most successful Timurid ruler, Timurs grandson Ulegh Beg (1393–1449, ruled 1447–1449), gained fame as an astronomer and scholar. Ulegh was not a good administrator, however, and was murdered by his own son in 1449. Timurs line had better luck in India, where his great-great-grandson Babur founded the Mughal Dynasty in 1526. The Mughals ruled until 1857 when the British expelled them. (Shah Jahan, the builder of the Taj Mahal, is thus also a descendant of Timur.) Timurs Reputation Timur was lionized in the west for his defeat of the Ottoman Turks. Christopher Marlowes Tamburlaine the Great and Edgar Allen Poes Tamerlane are good examples. Not surprisingly, the people of Turkey, Iran, and the Middle East remember him rather less favorably. In post-Soviet Uzbekistan, Timur has been made into a national folk hero. The people of Uzbek cities like Khiva, however, are skeptical; they remember that he razed their city and killed nearly every inhabitant. Sources Gonzlez de Clavijo, Ruy. Narrative of the Embassy of Ruy Gonzalez De Clavijo to the Court of Timour, at Samarcand, A.D. 1403–1406. Trans. Markham, Clements R. London: The Hakluyt Society, 1859.Marozzi, Justin. Tamerlane: Sword of Islam, Conqueror of the World. New York: HarperCollins, 2006.Sela, Ron. The Legendary Biographies of Tamerlane: Islam and Heroic Apocrypha in Central Asia. Trans. Markham, Clements R.  Cambridge: Cambridge University Press, 2011.  Saunders, J. J. History of the Mongol Conquests. Philadelphia: University of Pennsylvania Press, 1971.

Philosophy of Law Essay Example | Topics and Well Written Essays - 1250 words

Philosophy of Law - Essay Example In this context, principles can be interpreted differently, under the influence of the personal perceptions of the individual involved, while no such option is available in the case of rules (Raitio 294). The differentiation between rules and principles is made clear when referring to their use by judges. Indeed, in such case, as Dworkin states, rules apply ‘in all or nothing fashion’ (Culver 144), meaning that a rule can either be applied in a specific case or not, there is no intermediate status (Culver 144). On the contrary, principles, even if judges use them, do not oblige the judge involved to take a specific decision. For this reason, Dworkin notes that principles only ‘contribute in judges’ decision’ (Culver 144); principles cannot define the content of a court decision just to influence the reasoning of the judge in regard to the case involved (Culver 144); also, the judge decides whether he will use a principle, and at what level, when devel oping a decision. Peczenik (2009) refers to another differentiation of rules and principles, as described by Dworkin. Rules and principles are based on different criteria of validity. ... This means that principles cannot introduce ideas or set obligations, which are differentiated to the beliefs of individuals, at an average level, in regard to law and ethics. Also, principles cannot introduce ideas, which are in opposition with the statutes or the case law, as developed in the country involved (Peczenik 246). In legal rules, the existence of the above conditions is not examined. It is sufficient for a legal rule to have been verified by a competent institution, as explained above, in order to be considered as valid. The above terms of differentiation between rules and principles have been introduced by Dworkin and are valuable for understanding the conditions under which rules and principles are used in practice. The potential use of the view of Dworkin on rules and principles for explaining the decision of the court in the case Riggs v Palmer is examined in the study of Siltala (2000). According to the above researcher, the case Riggs v Palmer sets a critical dilem ma: when, in the context of a case, a conflict is developed between a rule and a principle, which should be the decision of judge? He should uphold the rule or use the principle for developing a decision in regard to the specific case? In such cases, Dworkin ‘used to redefine the normative conflict’ (Siltala 46); in this way, ‘the weight of the two principles’ (Siltala 46) should be taken into consideration for deciding which of these principles should be preferred. The differences between legal rules and principles, as Dworkin has highlighted these differences, are clear in the case of Riggs v Palmer (1889). More specifically: in the above case, the following dilemma appears:

Semantic technology for improving business process management and Essay

Semantic technology for improving business process management and E-Business - Essay Example From traditional to contemporary perspectives, core objective of the businesses has been to manage business operations so that enables business to achieve the competitive advantage over competitors (Dean, DiGrande, Field, and Zwillenberg, 2012). Since introduced information technology has been a constantly upgrading paradigm and so business are attempting to align the functions developing more concrete connections within and outside business environment; hence, entire stakeholders. Technology expansion has changed the perspectives and businesses are now being viewed as system having core components of input, process and output. Around these core components, business processes are continuously evolving for improvement with changing dynamics mainly arising from other perspectives. Broadly the sequence can be regarded as the information technology to recent integration of semantic technology in business processes. Thereby, the report herein attempts to explore the contribution of semantic technology in improving specific business areas of business process management and e-business conduct. In addition to specifically explore the understudy perspectives the report has developed the detailed reference with respect to technological banking leader Citibank. DISCRIPTION OF THE THEORY SEMANTIC BUSINESS PROCESS MANAGEMENT Business process management has over years achieved success to a great extent automating the critical components of the life cycle of business process. Semantic business process management has an objective of attaining process space in an organization to an increased level of knowledge. Success in achieving the process space in the organization benefits business with reasoning with respect to entire business processes including combination as well as execution of process. Integration of semantics technologies in business process management is achieved with the use of ontology that f acilitates the semantic information to the business process. Further, business process automation is enhanced with provision of the semantic web techniques. Business ontology is build using conceptualized core Semantic Web Services as well as Web Service Modeling Language. Sample organizational is depicted in the image below: (Pedrinaci, Domingue, and Brelage, ) As visible from the image above the organizational ontology has various segments and connection between the resources, structure, functions, policies, setup and strategies. The interconnection built between various aspects being facilitated by the core components of the semantic integration in the business process. These interconnections enhance the role of bidirectional interconnection in the business process. Hence, business process management has gained gain efficiencies in entire processes specifically the bottleneck avenues of business processes. ORIGIN AND EVOLUTION OF THEORY Over years of development, information syst ems are attempting to enhance the dual perspective in the computers’ languages; first, increasing computers capacity to enhance understanding the human language with greater comprehension and intelligence while second refers to techniques aimed at providing existing content with labeling related to the domain (Mika, Elfring, & Groenewegen, 2006; Warren, Thurlow, & Alsmeyer, 2006). Further, semantic technology enables metaphorical as well as logical analysis from the queries in the similar context in which it is asked irrespective of the language as well as pattern it is asked and hence

Aristotle the Great Philosopher Essay Example for Free

Aristotle the Great Philosopher Essay Aristotle was one of the most profound philosophers of all time. He was a pupil of Plato; he adapted many of Plato’s concepts into his own. Aristotle follows in the footsteps of Plato and Socrates idea of taking the virtues to be vital in a well-lived life. Based on the precise nature, true happiness can be found. In this paper, I will discuss Aristotle’s beliefs of human good and human flourishing. Aristotle’s most influential work was Nichomachean Ethics. No one is quite sure where Nichomachean Ethics originated from; they assume it is either, a combination of lecture notes from Aristotle or his students. He believes that every human activity aims at some good; every human activity aims at some end. He believes that good equals end. Aristotle refers to good as being the object of an action. He believes people should be goal oriented no matter if the goal is morally good or bad. Aristotle thought that human actions are not haphazard, random, gratuitous, and purposeless. Otherwise, they’re relevance is the distinguishing mark of human rationality, as opposed to the instinctive ness of animal conduct or an unintentional sequence of natural events. He believes that humans seek rational means to attain their goals. (Zunjic, Books 1 2) Aristotle was born in 384 BCE and later died in 322 BCE. He grew up in Stagirus, which was a small Greek colony. His father was a physician to King Amyntas of Macedonia. The Macedonia Court would influence Aristotle’s life, greatly. Aristotle’s father died while he was still a child. His guardian, Proxenus, sent him to Athens. While in Athens, he became a pupil of Plato; he attended Plato’s lectures for twenty years. He then began to lecture himself, particularly about rhetoric. (Aristotle’s Biography) After Plato had died, Aristotle may have become the leader of the Academy, except his differences in teaching. They gave the leadership role to Plato’s nephew, Seusippus. Aristotle then left Athens and went to a different court. He married Pythias and then a short while after he moved to the island of Lesbos. Some years later, Aristotle was invited back to Macedonia by the King to tutor the young Alexander. Their ideas differed, which lead to an interesting relationship. (Aristotle’s biography) Aristotle taught and managed the Lyceum for twelve years, producing, during this time, his lecture notes. Only a small amount of Aristotle’s works had survived over the years. Aristotle’s works included all the major areas of thought: logic, science, metaphysics, ethics, and politics. He developed a new theory of form that differed from Plato, created a system of deductive reasoning for universal and existential statements, and produced a theory of the universe, matter, life, and mind. (Aristotle’s Biography) Aristotle expanded his knowledge significantly when he studied under Plato, if his guardian had not sent him to Athens he probably would have never studied under Plato. Though Aristotle learned a lot from Plato, his ideas also differed greatly, and he was a great thinker all on his own. Aristotle might not have been the great philosopher that he is without the guidance of Plato. â€Å"Aristotle’s style of lecturing involved walking around in in covered walkways, for which reason Aristotle was called ‘Peripatetic’ meaning walking around. † (www. about. com) Greek influences helped shape what Aristotle believed. His education under Plato was also a huge influencing factor. He believed that there were only two causes in the universe: form and matter; form and matter leads to intelligence. Aristotle was a firm believer that education and morality went hand in hand with each other. He thought it was the duty of the state to produce well rounded citizens who would lead good lives. The realization of oneself is the main way to reach goodness. Aristotle has been recognized as one of the greatest philosophers of all time. He has had essential time working with other top philosophers of his time. Years after his death, people still learn and adapt his beliefs. Aristotle was a teleologist, meaning, he believed that all existing things have a purpose. Aristotle was way ahead of his time, in his thinking. Many of the ideas he had were completely baffling to others around him. They still take a great deal of thought to grasp what he means but it is worth examining. Aristotle believes in instrumental goods and self-sufficient goods. Multiple instrumental goods are needed to achieve ourselves; they include health, friendship, wealth, knowledge, and virtue. The ancient Greek word for virtue is, ‘Arete’ meaning excellence. The excellence a person demonstrates when acting towards virtue. Virtue, when practice, begins to make us who we are. Aristotle believes that virtue must be practice habitually, so that everyone has the capacity to perfect their own character. (Aristotle Ethics Podcast 1) He believed that every idea can be traced back to the very beginning. This is known as finite regress: finite, meaning an end, and regress, meaning to trace back. Objects of thought can be traced back to the very beginning; many consequences lead to the knowledge of the object of thought. He thought that the idea in your head can be traced back, because the idea in your head is a product of everything else, even what people earlier had in their head. Once the thought reaches the corner stone, you cannot go any farther, showing it has one clear beginning. He does not believe in infinite regress that would mean there would be no defined order. (Aristotle Ethics Podcast 2) Aristotle was not concerned with his own good but, rather, the good for all humans. He called this good, eudaimonia, meaning happiness. Eudaimonia serves as the one, final self-sufficient good. He did not believe happiness was just a feeling; he believed it was also a way of living. Many have adapted this idea as human flourishing. Human flourishing involves achievement of excellence. He believes that everyone aims at some good, but different people have different ideas of what good is. The product of the activity should be better than the activity, says Aristotle. The end is the achievable good. (Kessler, 80-87) Aristotle’s beliefs can be used to view life today. His ideas of what a good is and how to reach human flourishing influence life today. When examining any thought, it is almost possible to try and trace it back to where it originated. Aristotle showed that everything has a clear beginning and end, and that everyone should try to have a life full of virtues. Aristotle’s ideas influenced many other philosophers for years after his time. He was a great influence on medieval scholasticism: much of the Roman Catholic theology shows his ideas of teleology. It was also a big influence to biology; but it was banished from physics by the scientific revolution. Aristotle is a firm believer that happiness is the most important thing in life. Ethics was the main topic Aristotle focused on, the difference between what is a right or wrong, good and evil, rule and virtues, character and vice, success and happiness. Works Cited â€Å"Aristotle Greek Philosopher Aristotle. † About. com Ancient / Classical History. N. p. , n. d. Web. 02 Dec. 2012. http://ancienthistory. about. com/cs/people/p/aristotle. htm. â€Å"Aristotle of Stagirus Biography. † Aristotle. N. p. , n. d. Web. 29 Nov. 2012. http://www. egs.edu/library/aristotle/biography/. Flip4Learning. Aristotles Ethics (Part One). YouTube. YouTube, 04 Mar. 2012. Web. 03 Dec. 2012. http://www. youtube. com/watch? v=NbZ1qzcHo4g. Flip4Learning. Aristotles Ethics (Part Two). YouTube. YouTube, 04 Mar. 2012. Web. 03 Dec. 2012. http://www. youtube. com/watch? v=A6Eq33EgMaM. â€Å"Nicomachean Ethics. † Nicomachean Ethics. N. p. , n. d. Web. 29 Nov. 2012. http://www. uri. edu/personal/szunjic/philos/nicom. htm. Kessler, Gary E. Voices of Wisdom: A Multicultural Philosophy Reader. Belmont, CA: Wadsworth, 2010. Print.

self-discovery Through Adversity :: essays research papers

A self-discovery is the act or process achieving self-knowledge. In the short stories, â€Å"A Small, Good Thing† by John Updike and â€Å"The Rich Brother† by Tobias Wolff, self-discoveries took place with Ann and Peter. Ann was a mother of one and a wife. Peter was a husband and a real estate agent. In the end both Ann and Peter come to a self-discovery.   Ã‚  Ã‚  Ã‚  Ã‚  Ann Weiss, from â€Å"A Small, Good Thing†, discovered how much she cared for her son. How she would do anything to get him back. After the death of her son the Baker put her over the top. The phone calls that he would make were not called for at all. Ann was very unstable and she was about to blow at any second. When they got to the Bakers she went off on him. Her son is dead and she is just going to have to move on with her life. Peter, from â€Å"The Rich Brother†, discovered that no matter what his brother did he really did love him. Donald, Peter’s brother, would always come to Peter for help. Donald never had any money. Every time Donald would need a place to stay Peter would let him stay at his house that he worked so hard to get. Ann and Peter, both came to a self-discovery in their life. There are some similarities between the self-discoveries of Ann and Peter. One similarity was how much love they had for their respective family. Ann being a mother she loved her son so much. She spent all of her time at the hospital wait for her son to wake up. She only went home once during the three days her son was in a comma. Peter did love his brother Donald. Peter always gave Donald money and let him stay at his house that he had worked so hard for. Donald went off to live at a farm. When he needed a place to stay because he was kicked off the farm, Pete said, â€Å"I guess you’ll have to stay with us.† Then Pete said, â€Å"I’ll come get you†(Wolff 67). He knew that Donald would hitch hike home if he sent him money for a bus fare. So Pete picked him up. They also differ with each other. For example, Ann has always loved her son on the other hand Pete at one point tried to kill Donald.

Cosmic Creation Myth

Cosmic Creation Myth across Culture Paper Kristin Sheffield HUM 105 For decades myths have been told about the development of the world. Each culture has their version of how life began. These myths are centered on creation; how the earth was created, how the sky, land or the sea was created, and how humans and animals were created. These myths give cultures the security of belief. Different cultures believe differently, but these beliefs help certain cultures to continue to face problems or issues, worship, and create happiness and peace. The Enuma ElishApsu, the father of Sweet Waters  and Tiamat, Mother of Salt Waters created 3 unruly children. The children gods were just being children, but unfortunately they were disrupting Tiamat’s peace. She grew to hate their behavior and asked Apsu to deal with them. When he tried they just ignored him. Due to their unwillingness to obey their parents Apsu's resolution was to destroy them. Tiamat was very upset by this resolution. S he told Apsu that his resolution was evil and they needed to be more understanding. Her pleas were ignored by Apsu. Apsu and Tiamat’s creations soon realized Apsu's evil plans to destroy them.At first they cried, and then they succumbed to their fate. However somehow they had befriended Ea, the wisest God, who eventually killed Apsu and made his co-conspirator his slave. This is a Babylonian Myth. This myth later became the reason for a national holiday in which they â€Å"emphasized the reestablishment of order†, (Rosenberg. 2006). The Creation of the Universe Ife Olorun, the god with the greatest knowledge, had a son, Obatala, who wanted to create land where Olokun, the goddess of endless waters and wild marshes ruled. Obatala went to his older brother for advice on how to proceed.His brother's gift was one of prophecy. He advised his brother and sent him on his way. Obatala did everything he said he'd do. He created land in the middle of marshy water; he then create d plants. But he wanted more and more. While drunk on wine, he started playing with clay. He asked Olorun to â€Å"breathe life into them†, (Rosenberg. 2006). Once he sobered he realized they were imperfect. He decided never to drink that type of wine again and vowed to protect all the humans that suffered because he was drunk. He â€Å"became the protector of all those who are born deformed† (Rosenberg. 006). This myth came from Africa; the Yoruba people. They showed more emotion in their stories; Love, jealousy, sympathy and anger. As with many myths, the creators of these myths were neither male nor female. They were groups of people. The Enuma Elish myth was from the Babylonians and also the Assyrians as well. For The Creation of Universe Ife, this myth came from the Yoruba people of Africa. Together these myths share similarities about suffering and appreciation for what they have. In these myths something vital has to be restored in order to move forward.With the Enuma Elish it was the balance between good and evil. With The Creation of Universe Ife he became the protector of imperfect people. Both The Enuma Elish and The Creation of Universe Ife had mainly water as the major element. In The Enuma Elish both parent gods were from Salt or Sweet waters. Olokun, in The Creation of Universe Ife was god of mash and wild waters. In both myths anything that disrupted peace made the waters â€Å"surge back and forth† (Rosenberg. 2006). Another similarity was humans were created. In The Enuma Elisa Ea killed Kingu by severing his blood vessels.The first humans came from the blood. In The Creation of Universe Ife, Olorun â€Å"breathed life† into the clay for Obatala creating humans. The difference was Obatala wanted companions, but Ea’s purpose was to have the humans â€Å"serve the gods† (Rosenberg. 2006). These myths were designed to understand the unexplainable. Different cultures explained them differently. Each cultu re had god and goddesses. Stories of these gods and goddesses explained things to humans such as how we (humans) came to be; how the earth formed; why humans look differently from other humans or animals; etc.Different cultures believe how things came to be differently. It depends on their faith, religion, and beliefs as to what they will believe. In all the stories that are being told, it would only take a person with influence to announce the story is true in order for other people to start believing. Once other people start believing, the proof is optional. Reference Rosenberg, D. (2006). World Mythology: An anthology of great myths and epics (3rd ed. ). Chicago, IL: McGraw-Hill.

Comparing the ways Edgar Allen Poe and Bram Stoker convey horror through writing Essay

Through this essay you will see how although the writing style of Edgar Allen Poe in ‘The Black Cat’ and the style of Bram stoker in ‘The Judges House’ is completely different, they both manage to achieve the same effect – leaving the reader anxious, excited, mystified and scared. Both these authors stories were written before the nineteen hundreds, a time when people were just understanding the ways the world works. In this time horror stories were very popular. The perspective of both Poems is different. In The black cat Poe writes in a first person perspective: â€Å"Today I die and tomorrow I would unburden my soul†. Where as Stoker writes in a third person perspective: â€Å"Malcolm Malcolmson made up his mind†. The use of third person in this story displays the feelings of more than one character and you can build up more fear than first person by using devices such as rhetorical questions by other characters for example when Mrs Cranford cries â€Å"not the Judges house!† it creates the feeling of horror and helplessness. First person perspective makes you feel sorrow for the character. If Edgar Allen Poe had written the black cat in Third person perspective You wouldn’t get the emphasis of his emotions, how he feels regret of what he has done, fear of this new animal and superstitious about the strange imprint on the wall. For example, when he writes â€Å"gradually, very gradually I came to look up on it with unutterable loathing†. This really emphasises the hated of the animal, an emotion that would not have been able to have been shown to that extent in third person. It is also more believable as it is through the eyes of the beholder. At the start of the black cat Poe starts off very secretively, he writes of something horrible that has happened to him, but he will not expand on what this occurrence is: These events have terrified, tortured and destroyed me†. This suspense adds to the mystery of the first scene. Poe writes, â€Å"tomorrow I die† showing something horrible has happened to him. The fact that this is not in chronological order keep you wondering throughout the story what is going to happen and keeps you in suspense. It also keeps you trying to link the current storyline to death, for example, when it says about the new cat: â€Å"It was a black cat – a very large cat-fully as large as Pluto and closely resembling him† you are thinking how this new cat could be linked to his death. Stoker, however has a very different approach to build up mystery. He uses setting whereas Poe does not. When he describes the lodgings he describes it as a gothic residence: â€Å"with heavy gables and small windows set higher than was customary in such houses†. Gothic residences have always been associated with death and fear in horror movies. He describes the village as empty: â€Å"desolation was the only term for conveying a suitable idea of its isolation† the idea of a desolate empty place is the perfect setting for a horror story. The fact that the house has been empty for so long indicates something dreadful has happened there. The locals all seem to know something dreadful about the house. It seems that Malcolm is the only person who doesn’t know what’s going on there. When Mrs Cranford cries at him â€Å"not the judges house!† it creates a feeling of dread for what is going to happen to Mr Malcolmson. Poe uses superstition to add to the mystery. The first little bit of superstition is when he reveals that his wife believes that all black cats are witches in disguise. This brief, initial introduction of superstition creates mystery in your head, and it makes you think, ‘what if black cats are really witches in disguise.’ When the cat imprint appears on the wall, the character tries to dismiss the supernatural happening with a far fetched logical explanation. He tries to say that someone tossed the hanging corpse of the cat in through the window to try and wake him up. He then tried to say that because the wall was freshly spread plaster, it did not fall down. He said that the ammonia from the carcass had made the impression on the wall. Edgar Allen Poe had purposely made this string of events unbelievable so that the reader would know that there was something strange going on. I think that the imprint was a symbol that the cat was not dead and that it was an omen that it was going to come back to haunt him. The new cat was very suspicious, the fact that it looked a lot like Pluto made you think that it was a demonic symbol of Pluto. The cat gets more and more attached to him but he is reluctant to interact with it because he feels the supernatural element of this situation. He begins to hate the cat and the fact that it is always around him: â€Å"Its evident fondness for myself rather disgusted and annoyed me† but he wont harm the cat for fear of what will happen and regret of his previous crime: â€Å"at times although I longed to destroy it with a blow I was withheld from doing so partly by memory of my former crime but chiefly – let me confess it at once – by absolute dread of the beast†. The fact that it wont leave him alone, and that drives him madder and more angry makes it seem like the new cat is testing his willpower to leave it alone. His fear grows as the cat follows his every step. The only difference between Pluto and the new cat was a white splodge on its belly. It turns out later that this splodge is actually a image of gallows. The image grows in size until the character can clearly make out the image. his realisation of what this means is clearly shown in this quote â€Å"Gallows! – oh mournful and terrible engine of horror and crime – of agony and of death.† He has realised his fate – death. He feels remorse for what he had done to Pluto. He knows that this ‘beast’ is an image of Pluto. A symbol of god: â€Å"a brute beast to work out for me-for me, a man fashioned in the image of the high god – oh insufferable woe! He believes its is god in disguise of a cat† Stoker also uses supernatural elements. Every night the rats come out and make a lot of noise. They run up and down the alarm bell. They all stop suddenly a run away as a giant rat comes down the alarm bell. The rats are scared of this larger rat indicating that this rat is evil. Stokers description of the rat makes it sound evil: It showed its great white teeth and its cruel eyes shone in the lamplight. When Malcolmson throws a book at the creature to try and scare it, but it does not flinch. But when he throws a bible at the rat it scampers away. This indication of good/evil shows that the rat is evil. It is well known that Satanic beings such as this rat fear holy objects such as a bible and a cross. When Malcolmson realises that the rats eyes are identical to the picture of the Judge the figure of the judge disappears. He then turns round and sees the judge. The judge smiled in a cruel way: With his baleful eyes glaring vindictively, and a smile of triumph on his face† The judge does not say much in this last scene, I think this is important. Stoker did this so his character was not totally revealed. He remained a mysterious character. The descriptions of horror in The Black cat are very in depth: â€Å"I grasped the poor beast by its throat and purposely cut out one of its eyes from its socket.†. He doesn’t linger on this for long. These shock tactics really build up the horror in this story by making you feel horrified and shocked. Another example of this is when he kills his wife: â€Å"I withdrew my arm from her grasp, and buried the axe in her brain.† This again shows the shock tactics used when describing the horror scenes. His violence gets gradually worse. All his violence is triggered by anger or drink: â€Å"Through the instrumentality of the fiend intemperance had (I blush to confess it)experiences a radical alteration for the worst. I grew day by day more moody, more irritable regardless for the feeling of others. First he verbally abuses his wife, this turns to physical violence towards his wife and animals – except Pluto: â€Å"I suffered myself to use intemperate language towards my wife. At length I even offered her personal violence. My pets of course were made to feel the change in my disposition. I not only neglected, but ill-used them.† Then he cut out Pluto’s eye when he scrammed him on the face. This again is due to him drinking. Poe writes â€Å"one night, returning home much intoxicated†. The guilt of doing this to Pluto and the sadness that it once had loved him got to him and he hung the cat in cold blood: â€Å"I hung it with tears streaming from my eyes† this shows his remorse when hanging him. The guilt of what he had done prevented him from hurting the new cat, until one day when the cat nearly tripped him up in the cellar he grabbed and axe, but his wife prevented him from killing by grabbing the axe. He then split her head open with the axe. The violence gradually gets worse and worse, building up the horror as it goes along. Stoker uses less graphic description, but instead uses reactions of characters to create the fear: â€Å"not the judges house†. This, I think is one of the main advantages of introducing characters into the plot. A disadvantage is that it can take the focus of the main character. They both use pattering to create fear in their stories. In the Judges house the same thing happens every night. He drinks too much tea, then out came the rats making all the noise and finally they all stopped when the large rat emerged. This also happens in the black cat. His violent acts are all triggered by alcohol. Pattering creates suspense, which in turn makes you wonder how does this link with what is happening in the story. The two writers both use logical explanations to try and explain why these things are happening. In the black cat, The character makes up a ludicrous explanation to explain why there was an imprint on the wall. He tries to say that someone must have thrown the cat through the window in an attempt to wake him up. He says that the wall didn’t fall down because it had just been plastered and that the ammonia from the carcass has made the imprint on the wall. In The Judges house Malcolmson’s explanation for all the events that are happening is that he was drinking too much tea and it was making him delusional. Both of these are deliberately far fetched so that the reader knows that something super natural is going on. Stoker uses a more descriptive style in his writing. He describes the scene, the weather and the people in far more depth than Poe: â€Å"The carving of the oak on the panels of the wainscot was fine, and on and round the windows and doors it was beautiful and of rare merit†. I prefer the descriptive writing of Stoker because it creates an image in your mind. Especially with the weather. Stoker uses the weather to great effect. When the thunder was lashing down toy could tell something bad was going to happen. This effect is used in a lot of horror stories. In my opinion, I prefer Stokers method of creating horror. I think the introduction of characters brings in a new element to the story. It creates an atmosphere of bewilderment and isolation. I say isolation because everyone seemed to know what was going on but Mr Malcolmson. However, as a whole I think I preferred The Black cat by Edgar Allen Poe. I think this is because I am used to modern stories, and this storyline is a bit more advanced and modernised than The Judges House. As I am used to modern horror stories I can relate to this story better. I think that the plot has some realism to it, more so that Stoker’s story. I don’t think Stokers story was linked together very well and it all seemed a bit distant.

The Motion Picture Production Essays

The Motion Picture Production Essays The Motion Picture Production Paper The Motion Picture Production Paper Film noir’s transformation can be partly explained by changes in how Hollywood’s strict Production Code was enforced. Instituted by politician Will Hays in 1930, imposed rigid guidelines for motion pictures and demanded that they provide morally clean, uplifting, generally sanitized fare for the viewing public. The code’s three chief principles were: 1. No picture shall be produced that will lower the moral standards of those who see it. Hence the sympathy of the audience should never be thrown to the side of crime, wrongdoing, evil or sin. 2. Correct standards of life, subject only to the requirements of drama and entertainment, shall be presented. 3. Law, natural or human, shall not be ridiculed, nor shall sympathy be created for its violation (Bynum) It also demanded that film respect the sanctity of marriage, honor patriotic values, never â€Å"throw sympathy with the crime as against law and justice,† and inspire moral uplift (Bynum). Thus, Hollywood studios had to tailor their films to adhere to the Code, creating difficulties for the film noir genre, which espoused a rather cynical view of humanity, especially of women, and presented a much different message about society and human nature than the Code demanded. Essentially, the Code demanded morally acceptable messages, particularly that crime and aberrant behavior had consequences. Film noir was hardly uplifting or patriotic, and its focus on seedy or disreputable characters made it seem anathema to its mandates, but it adhered to the Code by punishing characters who violated these values. If transgressions were shown on screen, they had to be somehow punished, so that the upright values the Code practiced ultimately prevailed. Thus, in film noir, the villain never really got away with his crimes. If innocent victims were murdered, their killers met justice in some way. The Postman Always Rings Twice embraces a sort of strange cosmic justice prevails, since the wrongdoers receive punishment for their misdeeds – both Frank and Cora are punished for committing both adultery and murder with their lives. Also, in Kiss Me Deadly, the treacherous Lily meets a well-deserved fiery death, while the good Velda is spared. Touch of Evil breaks from the established formula; Quinlan’s corruption leads to his death, but (interestingly) no women were punished. The Code’s enforcement did fluctuate, however; the strict Joseph Breen retired in 1954, and his more tolerant successor, Geoffrey Shurlock, permitted once-taboo subjects to appear onscreen without penalty. This explains Touch of Evil’s open discussion of drug trafficking and the implication of prostitution; however, Marlene Dietrich’s madam character does not lure any of the film’s male characters into her trap, so she is not punished for anything. She is a clearly shady character, but not presented as an evil vamp, but rather as a faded temptress and thus not genuinely dangerous. Essentially, female characters got what they deserved, though the scope of what they were allowed to do had broadened. Women in film noir reflected changes not only in Hollywood’s production codes but also in American morality and gender roles. The earliest films in that genre reflected America’s stricter expectations of women and a more straitlaced moral standard; women who violated those were intriguing to watch onscreen, but only if they received punishment for breaking taboos. As time progressed and moral standards loosened, film noir’s women were less likely to fit rigid archetypes or receive punishment for activities that no longer seemed quite as shocking. The film noir woman thus reflected changes in American morality and views of women, which relaxed as women’s sexuality was gradually better understood and accepted. BIBLIOGRAPHY Bynum, Matt. â€Å"The Motion Picture Production Code of 1930 (Hays Code). † Arts Reformation. 2006. artsreformation. com/a001/hays-code. html. Christopher, Nicholas. Somewhere in the Night. New York: Free Press, 1997. Doane, Mary Ann. Femmes Fatales. New York: Routledge, 1991. Kiss Me Deadly. Dir. Robert Aldrich. Perf. Ralph Meeker, Albert Dekker, Maxine Cooper, and Gaby Rodgers. United Artists, 1955.

Discover Trompe lOeil Art in Painting and Architecture

Discover Trompe l'Oeil Art in Painting and Architecture French for fool the eye,  trompe loeil art creates the illusion of reality. Through skillful use of color, shading, and perspective, painted objects appear three-dimensional.  Faux finishes like marbling and wood graining add to the trompe loeil effect. Applied to furniture, paintings, walls, ceilings, decorative items, set designs, or building facades, trompe l’oeil art inspires a gasp of surprise and wonder. Although tromper means to deceive, viewers are often willing participants, delighting in the visual trickery. Trompe l'Oeil Art Shading and perspectiveFaux finishes3-D effects Pronounced tromp loi, trompe-l’oeil may be spelled with or without a hyphen. In French, the  Ã…“  ligature is used:  trompe l’œil. Realistic artworks were not described as trompe-loeil until the late 1800s, but the desire to capture reality dates back to ancient times. Early Frescoes Fresco from the House of Meleagro, Pompeii,1st Century.   Photo  ©DEA / G. NIMATALLAH/ Getty   In ancient Greece and Rome, artisans applied pigments to wet plaster to create life-like details. Flat surfaces appeared three dimensional when painters added false columns, corbels, and other architectural ornaments. The Greek artist Zeuxis (5th century B.C.) is said to have painted grapes so convincing, even birds were deceived. Frescoes (plaster wall paintings) found in Pompeii and other archaeological sites contain trompe loeil elements. For many centuries, artists continued to use the wet plaster method to transform interior spaces. In villas, palaces, churches, and cathedrals, trompe loeil images gave the illusion of vast space and distant vistas. Through the magic of perspective and skillful use of light and shadow, domes became sky and windowless spaces opened to imaginary vistas. Renaissance artist Michelangelo (1475 -1564) used wet plaster when he filled the vast ceiling of the Sistine Chapel with cascading angels, Biblical figures, and an enormous bearded God surrounded by trompe loeil columns and beams. Secret Formulas Dresden Triptych, Oil on Oak, 1437, by Jan van Eyck. Dresden State Art Collections, Gemldegalerie Alte Meisterm.   DEA / E. LESSING / Getty Images By painting with wet plaster, artists could give walls and ceilings rich color and a sense of depth. However, plaster dries quickly. Even the greatest fresco painters could not achieve subtle blending or precise details. For smaller paintings, European artists commonly used egg-based tempera applied to wood panels. This medium was easier to work with, but it also dried quickly. During the Middle Ages and the Renaissance, artists searched for new, more flexible paint formulas. The Northern European painter Jan Van Eyck (c.1395-c.1441) popularized the idea of adding boiled oil to pigments. Thin, nearly transparent glazes applied over wood panels gave objects a life-like gleam. Measuring less than thirteen inches long, Van Eycks Dresen Triptych is a tour de force with ultra real  images of Romanesque columns and arches. Viewers can imagine they are looking through a window into a Biblical scene. Faux carvings and tapestries enhance the illusion. Other Renaissance painters invented their own recipes, combining the traditional egg-based tempera formula with a variety of ingredients, from powdered bone to lead and walnut oil. Leonardo da Vinci (1452-1519) used his own experimental oil and tempera formula when he painted his famous mural, The Last Supper. Tragically, da Vinci’s methods were flawed and the breathtakingly realistic details began to flake within a few years. Dutch Deceivers Tromp-loeil Still-Life, 1664, by Samuel Dirksz, vanHoogstraten. Dordrechts Museum Collection.   Fine Art Images/Heritage Images/Getty Images During the 17th century, Flemish still life painters became known for optical illusions. Three-dimensional objects seemed to project from the frame. Open cabinets and archways suggested deep recesses. Stamps, letters, and news bulletins were depicted so convincingly, passersby might be tempted to pluck them from the painting. Sometimes images of brushes and palettes were included to call attention to the deception. There’s an air of delight in the artistic trickery, and it’s possible that the Dutch masters competed in their efforts to conjure reality. Many developed new oil-and wax-based formulas, each claiming that their own offered superior properties. Artists like Gerard Houckgeest (1600-1661), Gerrit Dou (1613-1675), Samuel Dirksz  Hoogstraten  (1627-1678), and Evert Collier (c.1640-1710) could not have painted their magical deceptions if not for the versatility of the new mediums. Eventually, advanced technologies and mass-production made the painting formulas of the Dutch masters obsolete. Popular tastes moved toward expressionist and abstract styles. Nevertheless, a fascination for trompe loeil realism persisted through the nineteenth and twentieth centuries. American artists De Scott Evans (1847-1898),  William Harnett (1848–1892), John Peto (1854–1907), and John Haberle (1856-1933) painted meticulous still lifes in the tradition of the Dutch illusionists. French-born painter and scholar Jacques Maroger (1884-1962) analyzed the properties of early paint mediums. His classic text,The Secret Formulas and Techniques of the Masters, included recipes he claimed to have rediscovered. His theories reawakened interest in classical styles, stirred controversy, and inspired writers. Modern Magic Artist Tjalf Sparnaay with one of his megarealistic paintings. cc Tjalf Sparnaay   Merogers return to classical techniques was one of many realistic styles that emerged during the second half of the 20th century. Realism gave modern-day artists a way to explore and reinterpret the world with scientific precision and ironic detachment. Photorealists painstakingly reproduced photographic images. Hyperrealists toyed with realistic elements, exaggerating details, distorting scale, or juxtaposing figures and objects in unexpected ways.  Dutch painter Tjalf Sparnaay (shown above) calls himself a â€Å"megarealist† because he paints â€Å"mega-sized† versions of commercial products. My intention is to give these objects a soul and a renewed presence,† Sparnaay explains on his website. 3-D Street Art Mural for Fontainebleau Hotel, Richard Haas, Designer, Created 1985-86, Demolished 2002. Corbis Documentary / Getty Images Trompe l’oeil by contemporary artists  can be whimsical, satirical, disturbing, or surreal. Incorporated into paintings, murals, advertising posters, and sculpture, the deceptive images often defy the laws of physics and toy with our perception of the world. Artist Richard Haas made deft use of trompe l’oeil magic when he designed a six-story mural for the Fontainebleau Hotel in Miami. False finishes transformed a blank wall into a triumphal arch made of mortared stone blocks (shown above). The enormous fluted column, the twin caryatids, and the bass relief flamingos were tricks of light, shadow, and perspective.The sky and waterfall were also optical illusions, teasing passersby into believing they might stroll through the arch to the beach. The Fontainebleau mural entertained Miami visitors from 1986 until 2002, when the wall was demolished to make way for real, rather than trompe l’oeil, views of the waterside resort. Commercial wall art like the Fontainebleau mural is often transitory. Weather takes a toll, tastes change, and new construction replaces the old. Nevertheless, 3-D street art plays an important role in reshaping our urban landscapes. Time-bending murals by French artist Pierre Delavie conjure historic vistas. German artist Edgar Mueller turns street pavement into heart-thumping views of cliffs and caves. American artist John Pugh opens walls with eye-deceiving images of impossible scenes. In cities around the world, trompe loeil mural artists force us to ask: What is real? What is artifice? What is important? Sources Deceptions and Illusions: Five Centuries of Trompe LOeil Painting, by Sybille Ebert-Schifferer with essays by Sybille Ebert-Schifferer ... [et al.]; Catalog of an exhibition held at the National Gallery of Art, Washington, D.C., Oct. 13, 2002-Mar. 2, 2003.Historical Painting Techniques, Materials, and Studio Practice, by The J. Paul Getty Trust, 1995 [PDF, accessed April 22, 2017] ; https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/historical_paintings.pdfMusee du Trompe lOeil, museedutrompeloeil.com/en/trompe-loeil/The Secret Formulas and Techniques of the Masters by Jacques Maroger (trans.  Eleanor Beckham), New York: Studio Publications, 1948.

Film review-Pressure(Horace Ove 1975) Essay Example | Topics and Well Written Essays - 250 words

Film review-Pressure(Horace Ove 1975) - Essay Example I believe that one of the major themes of the movie is that the main character is disillusioned with regard to his perception of the contemporary society. Unlike the older generations he is not willing to give in, but ultimately results that nothing can be done with the help of legitimate measures. There is no doubt that it is something that many people of that time can relate to. All this makes the movie in question some kind of a mirror that the public can take a close look at and analyze its fundamental problems. It is particularly important that a black director was able to make such a film (Bourne 198). Another important point that is made is that when it comes to social injustice, colors do not matter. The main character concludes that some white people suffer as mush as blacks. This means that all the population should unite against social inequality and build a society where everyone will be enjoying his or her state of

Peresonal development and life long learning Essay

Peresonal development and life long learning - Essay Example Minimization of infection due to catheters, improvement of flow rate and the prevention of thrombo-embolism are some of the factors which have determined research activities in this area (Lok, 2006). As the intensity of catheterization has doubled since their initial use the risk of occurrence of complications arising due to such procedures has also increased which can put tremendous stress on the patients’ health as well as finances. Catheterization has a significant effect on the clinical outcome in such patients due to the high incidence of morbidity and mortality (Tal & Ni, 2008). A variety of anticoagulants have been used in the CVCs to prevent thrombo-embolism and anticoagulant management in haemodialysis in itself is a vital area of therapeutic intervention per se in dialysis patients (Lo et al, 2005). Dialysis patients are prone to venous thromboembolism as well as atrial fibrillation and warfarin and low-molecular weight heparins are frequently used in such cases (Lo et al, 2005). Patients with end stage renal disease (ESRD) are more prone to a hypercoagulable state due to the development of a biochemical milieu in which there is elevation of particular prothrombin fragments and thrombin-antithrombin complexes (Lo et al, 2005). This necessitates effective control measures in such patients for the control of embolus formation all along the course of haemodialysis. Sodium citrate and heparin in various forms are the preferred agents for prevention of embolus formation in patients undergoing haemodialysis due to renal impairment. Continuous renal replacemen t therapy (CRRT) is frequently used as a preventive measure in high risk kidney patients (Bagshaw et al, 2005). When CVCs are used in patients undergoing haemodialysis, thrombosis at the catheter surface itself poses a big problem which affects dialysis quality as well as catheter survival (Grudzinski et al, 2006). A study by these authors has attempted to weigh the pros